This exhibition is a collection of printmaking, cyanotype, and textile studies relating to my MFA research on mapping, landscape, memory, and how wit relates to my relationship with the Buffalo Bayou. The monoprints examine the embodiment of memory and the shape they might take. Mounting the almost weightless kozo paper onto plywood alludes to the futile gesture of attempt to hold onto memories. The suspended soft sculptures are a visualization of memory, taking shape in found plywood and secondhand textiles, tightly bound with wire and various types of threads.